Harold Pinter

Worthing Pier - only 55 left in the UK

Emily Gosden’s piece about end of the pier entertainment in the Daily Telegraph (9.6.11) makes the valid point that out of 55 remaining piers in the UK only six are offering traditional Summer seaside entertainment. The end of the pier show has been part of the English seaside landscape for as long as Punch has been altercating with Judy and candyfloss has been blown away by stiff north easterly breezes.

Punch and a Judy

In Worthing there is an additional threat. Apart from the economy, the migration abroad rather than to the UK for Summer holidays, the dwindling municipal coffers for seaside promotion, here the Council operates all three major venues (The Connaught Theatre, the Assembly Hall and the end of the pier Pavilion Theatre) and there is no more money in the cupboard to maintain the cultural and leisure service to the community. The theatres have been advertised in The Stage and expressions of interest requested from operators keen to take the theatres off the Council’s hands. Worthing Theatres Trust is a Company Limited by Guarantee (Community Trust) set up with this in mind – and to return profits, pride, interest from local groups and schools and good old fashioned bums on seats back to the venues of Worthing.

It is well documented that Worthing’s Connaught Theatre has a rich theatrical tradition – it’s where Sir Alan Ayckbourn CBE (who announced this week that he is to become WTT’s Patron) as a young assistant stage manager performed on stage (they were short handed) in 1956. Pinter lived around the corner and wrote in the Town. Susan Penhaligon started her career here. Mark Wynter, Michael Simkins, Nick Day and many others trod the boards early in their careers in Worthing.

However, The Pavilion, built in 1926, is a thriving venue for traditional seaside entertainment. Every Wednesday afternoon in August John Mann’s Seaside Summer Melodies on the organ will beguile the elderly – and in the evenings in a Tardis-like experience, you will be able to track down the 60s group The Searchers, the inimitable Ken Dodd who holds the record for the longest stand up show ever performed in Worthing, The Rat Pack who will swagger on stage, then set the controls to ‘One Night of Queen with Gary Mullen’ followed by ‘That’ll be the Day – the stage show, along with old-time TV comedy duo, Cannon and Ball, The Glen Miller Orchestra, The Alter Eagles, before finishing the Season with Jim Davidson’s Seaside Frolics.

If this wasn’t enough, Worthing Theatres Trust TT has already made a public declaration that it will seek every means of preserving the future of the world-famous Wurlitzer organ found in The Assembly Hall. It is listed. Who else owns a listed organ? The Trust also sees a public trust as a means of increasing community and educational participation in the three venues – with a particular emphasis on encouraging local schools and colleges usage of the three venues. The Preserving theatres, culture, the arts is not about creating a business plan. It doesn’t – and shouldn’t fit into a business portfolio or a corporate plan. This is why we are receiving support from actors, directors and other theatre professionals who have worked at the Connaught Theatre and other Worthing venues. You can’t chip away at people’s memories.

The world loves the sound of waves against shingle, the curlicue calls of seagulls tossed into the channel gusts, the cries of children building memories like sandcastles. In Worthing we know how to do history, heritage and the celebration of what we are, and where we’ve come from. Worthing Birdman is an annual exercise in futility as participants build their own flying machines and try to fly off the Pier. One year an entrant came within centimetres of succeeding. Futility – or hope?

Worthing Pier from the Pavilion Theatre

Each September in Worthing we celebrate our heritage with the Annual Pier Day where people flock to the pier to enjoy vintage fun, frolics and a veritable mountain of popcorn, candyfloss and Edwardian sing-alongs. As one of the six remaining piers that endeavours to entertain its public, we see our job as preserving this facility for future generations.

The Trust is appealing for public support at this critical time – especially from the 17,000 plus people who signed the Save Worthing Theatres petition.

Visit www.worthingtheatrestrust.co.uk and go the to the Friends page to join up immediately as a Friend of Worthing Theatres. Alternatively, email your request for a form to ideas@worthingtheatrestrust.co.uk

Which part of your history are you prepared to see sold?

Acting now for the future

What’s in a logo?

In this case, a great deal. In a previous post I have outlined the fate that awaits the three historic theatres of Worthing if we don’t act now.

A group of people who care about the future of arts, theatre and culture in Worthing have got together to set up a Company Limited by Guarantee which in its guise as a not for profit enterprise will be able to access grants and other funding denied to the current owners, Worthing Borough Council.

A very talented young designer and resident of Worthing, Tom Barnard, currently finishing a three year Graphics Design Course at Falmouth University, has worked tirelessly to produce a selection of brand images for the new Trust, from which the successful logo was selected.

The logo works on three levels. At first sight, you see an upright figure, an actor, arms aloft, head bowed taking the applause from the audience in front of him or her. The waves in front of the figure represent the people in the audience.

At second viewing you see a ‘T’ figure representing the ‘T’ in Theatres and Trust. The ‘T’ represents a triumphant celebration of all that’s good in the Worthing theatrical tradition.

At third sight, you might, if you tried, see the image of an anchor sitting above the waves in a manner that celebrates Worthing’s seaside town status.

The font selected, Futura, is a strong, positive typeface to represent the strength of purpose and passion that exists within the town for the theatres. Recently, 17,000 people signed a petition to signal their belief that the theatres are an essential part of the cultural landscape and should be preserved.

Acting now for the future

Worthing has a rich theatrical tradition, exemplified by its three working theatres – The Connaught, The Pavilion and the Assembly Hall. Like many other towns, Worthing is experiencing difficulties funding these and a working group has been set up to create a Public Trust via a Company Limited by Guarantee to take the theatres into community ownership. Worthing Theatres Trust will be headed by Jon Woodley who has led the Save Worthing Theatres campaign to date and a dedicated team of volunteers on the Trust Board with a blend of skills appropriate to the task.

Consider the history. Sir Alan Ayckbourn CBE appeared in several plays at the Connaught in the 1950s. Winston Churchill visited the theatre in 1956 to see his daughter Sarah perform in Terrence Rattigan’s play Variation on a Theme. Harold Pinter acted at the Connaught under the stage name of David Baron, taking residence in the town centre just a few yards from the theatre in Ambrose Place in the 1960s. Pinter’s first wife, actress Vivien Merchant, acted at the Connaught during this period. Giles Cooper worked with Pinter at the Connaught. Robin Maugham wrote several plays which he directed and premiered at the Connaught, including The Claimant (1962) and Winter in Ischia (1964). Actress Marina Sirtis, perhaps best known for her role in Star Trek: The Next Generation, began her career in rep at the Connaught in 1976 and lived in the town. Actor Robert Blythe has also worked in repertory theatre at the Connaught.

The Trust intends to re-introduce Repertory Theatre to the Connaught. However, this project needs the support of the public of Worthing in order to succeed. We want to raise £800,000 in the next few months to sustain the theatres in the first few months of post-Council ownership. We need £5,000 immediately in order to set up a charity account and start the work of establishing the Trust. We have already created a brand identity, a website and a structure for the Trust.

Now it’s your turn. Please go to our website and sign up as Supporters. There will be an opportunity there to contribute money and in kind. We believe that Worthing needs its theatres. The theatres, in order to survive, need you. It’s time for you to take centre stage.

www.worthingtheatrestrust.co.uk

Curtains for theatre in Worthing? Not if we can help it.